{"id":2447,"date":"2026-04-08T17:18:33","date_gmt":"2026-04-08T15:18:33","guid":{"rendered":"https:\/\/habitusfidei.art\/the-exhibition-san-francesco-dassisi\/"},"modified":"2026-05-22T16:57:26","modified_gmt":"2026-05-22T14:57:26","slug":"san-francesco-the-exhibition","status":"publish","type":"page","link":"https:\/\/habitusfidei.art\/en\/san-francesco-the-exhibition\/","title":{"rendered":"Francis and the perfect robe &#8211; The exhibition"},"content":{"rendered":"<div class=\"et_pb_section_0 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_0 et_pb_row et_pb_equal_columns et_pb_gutters2 et_block_row\">\n<div class=\"et_pb_column_0 et_pb_column et_pb_column_2_5 et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_0 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><h2>The exhibition -<br \/><strong>Francis and the perfect robe<\/strong><\/h2>\n<\/div><\/div>\n\n<div class=\"et_pb_text_1 et_pb_text et_pb_bg_layout_light et_pb_module et_flex_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><h2><em>The robes of \"Fratello sole e sorella luna\"<\/em><\/h2>\n<\/div><\/div>\n\n<div class=\"et_pb_text_2 et_pb_text et_pb_bg_layout_light et_pb_module et_flex_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><h2>Lugano, Villa Ciani, 4-17 ottobre 2026<\/h2>\n<\/div><\/div>\n\n<div class=\"et_pb_image_0 et_pb_image et_pb_module et_flex_module\"><span class=\"et_pb_image_wrap\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/habitusfidei.art\/wp-content\/uploads\/2026\/04\/Giotto_di_Bondone_-_Legend_of_St_Francis_-_2._St_Francis_Giving_his_Mantle_to_a_Poor_Man_-_WGA09119.jpg\" title=\"Francis gives his cloak to a poor knight\" width=\"976\" height=\"1001\" class=\"wp-image-2407\" alt=\"Anonymous, Saint Francis the tailor. Illustration taken from the illuminated manuscript of the 14th century known as the \u201cTaymouth Hours\u201d (British Library, Yates Thompson MS 13, f. 179v).\" \/><\/span><\/div>\n<\/div>\n\n<div class=\"et_pb_column_1 et_pb_column et_pb_column_3_5 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_3 et_pb_text et_pb_bg_layout_light et_pb_module et_flex_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><blockquote>\n<p><span>The exhibition\u2014organized on the occasion of the eight hundredth anniversary of his death\u2014explores the profound and complex relationship of Francis of Assisi (1181\/2\u20131226) with clothing.<\/span><\/p>\n<\/blockquote>\n<p>Connected to the world of luxury fabrics through his family\u2019s business, Francis breaks away from it with dramatic gestures, most notably by stripping completely in public to return all his garments to his father. Yet, at the same time, he reveals a remarkable attention and sensitivity to clothing\u2014one that only a true expert could possess.<br \/>When he stood naked before his father and the Bishop of Assisi, he was offered \u2018the poor, shabby cloak of a peasant, a servant of the bishop. Receiving it with gratitude, he traced the sign of the cross upon it with his own hand, using a brick that happened to be at hand, and fashioned from it a garment fit to cover a crucified man and a half-naked pauper\u2019.<br \/>In search of the <strong>perfect robe <\/strong>to express his choice of a radical way of life his and of his brothers, thus she summarised it in her Testament: \u201cthose who came to embrace this life, gave to the poor everything they had to give, and were content with a single cowl, patched inside and outside, of the cord and of the trousers. And we didn\u2019t want to have any more\u201d.<br \/>Even as death drew near, he gave precise instructions for the making of his final habit, asking his friend Jacopa de\u2019 Settesoli to procure \u201cash-coloured coarse cloth, of the sort woven by Cistercian monks in overseas lands\u201d. Like his Lord, however, \u201che wished to leave this world naked, and he enjoined the friars who stood around him, in obedience to charity, that after his death they should leave him naked there on the ground for the time it would take to walk a mile at a comfortable pace\u201d. <br \/>This is an original and fascinating journey that moves through the costumes of Franco Zeffirelli\u2019s masterpiece Brother Sun, Sister Moon, biographical testimonies, and artistic representations.<\/p>\n<p>+++<\/p>\n<p>There are films that stay with you, which become part of our personal and collective biographies by bridging and uniting generations, which move, surprise and captivate the imagination like the most beautiful fairy tales.<br \/>Among these, Brother Sun, Sister Moon, directed by Franco Zeffirelli and released in the United Kingdom and in Italy in 1972, is certainly one of the most loved.<br \/>The Maestro\u2019s direction is unforgettable, as is the elegance of his cinematic language, which brings to life a spectacular medieval world that blends historical accuracy with fantasy; his profound spirituality ensures that every detail, every shot, and every scene works in perfect harmony within this masterpiece.<br \/>The screenplay, co-written by Lina Wertm\u00fcller and Suso Cecchi d\u2019Amico, is superb; in it, the story \u2013 that of Francis, from his calling to the founding of the order \u2013 becomes a message of love offered to his contemporaries.<br \/>The cast is outstanding, as is the voice acting (Francesco is voiced by Giancarlo Giannini, and Gino Cervi plays Pope Innocent III, portrayed by Alec Guinness), the music by Riz Ortolani, and the singing by a twenty-year-old Claudio Baglioni.<br \/>Danilo Donati\u2019s costumes are simply stunning, and the exhibition showcases them in all their beauty, originality and sartorial genius. An invitation to reflect on cinema\u2019s capacity to invent and amaze, on the craftsmanship and creativity that becomes art and wonder through the colours and textures of fabrics and jewellery.<br \/>On display are the film\u2019s costumes preserved by the Cerratelli Foundation, the habit of St Francis and some jewellery preserved by the Zeffirelli Foundation. <\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_1 et_pb_row et_flex_row\">\n<div class=\"et_pb_column_2 et_pb_column et_block_column et_pb_css_mix_blend_mode_passthrough et_flex_column_2_5 et_flex_column_2_5_tablet et_flex_column_24_24_phone\">\n<div class=\"et_pb_text_4 et_pb_text et_pb_bg_layout_light et_pb_module et_flex_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><h2 style=\"text-align: left;\"><strong>Opening hours<\/strong><\/h2>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_column_3 et_pb_column et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough et_flex_column_3_5 et_flex_column_3_5_tablet et_flex_column_24_24_phone\">\n<div class=\"et_pb_text_5 et_pb_text et_pb_bg_layout_light et_pb_module et_flex_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>4.10.2026, 10:00 \u2013 19:000<br \/>5 \u2013 9.10.2026, 15:00 \u2013 19:00<br \/>10 \u2013 11.10.2026, 10:00 \u2013 19:00<br \/>12 \u2013 16.10.2026, 15:00 \u2013 19:00<br \/>17.10.2026, 10:00 \u2013 15:00<\/p>\n<p>Note: on weekday mornings it will be possible to organize <strong>guided tours for the schools<\/strong>. The reservation system will be activated in September 2026. <\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_2 et_pb_row et_flex_row\">\n<div class=\"et_pb_column_4 et_pb_column et_block_column et_pb_css_mix_blend_mode_passthrough et_flex_column_2_5 et_flex_column_2_5_tablet et_flex_column_24_24_phone\">\n<div class=\"et_pb_text_6 et_pb_text et_pb_bg_layout_light et_pb_module et_flex_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><h2 style=\"text-align: left;\"><strong>Further information will be available in the coming weeks.<\/strong><\/h2>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_column_5 et_pb_column et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough et_flex_column_3_5 et_flex_column_3_5_tablet et_flex_column_24_24_phone\">\n<div class=\"et_pb_image_1 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/habitusfidei.art\/wp-content\/uploads\/2026\/04\/3_Una-tonaca-una-cordicella-e-le-mutande_2.jpg\" alt=\"Anonymous, Saint Francis the tailor. Illustration taken from the illuminated manuscript of the 14th century known as the \u201cTaymouth Hours\u201d (British Library, Yates Thompson MS 13, f. 179v).\" title=\"Saint Francis the tailor\" width=\"1500\" height=\"887\" class=\"wp-image-2761\" \/><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"et_pb_section_2 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_5 et_pb_row et_block_row\">\n<div class=\"et_pb_column_10 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_14 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module et_pb_text_align_center preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><h3>Organization<\/h3>\n<h2>The curators<\/h2>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_6 et_pb_row et_flex_row\">\n<div class=\"et_pb_column_11 et_pb_column et_flex_column et_pb_css_mix_blend_mode_passthrough et_flex_column_12_24 et_flex_column_12_24_tablet et_flex_column_24_24_phone\">\n<div class=\"et_pb_team_member_0 et_pb_team_member et_pb_bg_layout_light et_pb_module et_flex_module preset--module--divi-team-member--default\"><div class=\"et_pb_team_member_image et-waypoint et_pb_animation_off\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/habitusfidei.art\/wp-content\/uploads\/2025\/01\/cantoni_lorenzo_20201022-1.png\" alt=\"Lorenzo Cantoni\" width=\"1200\" height=\"1200\" class=\"wp-image-193\" title=\"cantoni_lorenzo_20201022 1\" \/><\/div><div class=\"et_pb_team_member_description\"><h4 class=\"et_pb_module_header\">Lorenzo Cantoni<\/h4><p class=\"et_pb_member_position\">Director of the UNESCO Chair at USI - Universit\u00e0 della Svizzera italiana<\/p><div class=\"et_pb_team_member_description_content\"><p><span>Graduated in Philosophy, he obtained a PhD in the field of education. He is a professor at USI \u2013 Universit\u00e0 della Svizzera italiana (Lugano, Switzerland), Faculty of Communication, Culture and Society, where he serves as Director of the Institute of Digital Technologies for Communication and as Head of the UNESCO Chair in ICT to develop and promote sustainable tourism in World Heritage Sites, established at USI in 2013.  He is member of the WHES - World Heritage Experience Switzerland board and director of the <\/span><span><a href=\"https:\/\/www.usi.ch\/mdfc\" target=\"_blank\" rel=\"noopener\">Master in Digital Fashion Communication<\/a><\/span>, offered in collaboration with Sorbonne University (Paris 1 Panth\u00e9on-Sorbonne), as well as the <span><a href=\"https:\/\/www.usi.ch\/mt\" target=\"_blank\" rel=\"noopener\">Master in International Tourism<\/a><\/span>.<\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_column_12 et_pb_column et-last-child et_flex_column et_pb_css_mix_blend_mode_passthrough et_flex_column_12_24 et_flex_column_12_24_tablet et_flex_column_24_24_phone\">\n<div class=\"et_pb_team_member_1 et_pb_team_member et_pb_bg_layout_light et_pb_module et_flex_module preset--module--divi-team-member--default\"><div class=\"et_pb_team_member_image et-waypoint et_pb_animation_off\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/habitusfidei.art\/wp-content\/uploads\/2025\/01\/53104631363_0f655ffa7a_o-1-1.png\" alt=\"Alessandro Tosi\" width=\"1200\" height=\"1200\" class=\"wp-image-192\" title=\"53104631363_0f655ffa7a_o 1\" \/><\/div><div class=\"et_pb_team_member_description\"><h4 class=\"et_pb_module_header\">Alessandro Tosi<\/h4><p class=\"et_pb_member_position\">Scientific Director of the Museo della Grafica at Palazzo Lanfranchi<\/p><div class=\"et_pb_team_member_description_content\"><p>He teaches and conducts research in the Department of Civilizations and Forms of Knowledge at the University of Pisa as a professor of Modern Art History. He served as President of the degree program in \"Cultural Heritage Sciences\" from 2003 to 2006, President of the joint council of the degree programs in \"Tourism Sciences\" and \"Design and Management of Mediterranean Tourism Systems\" from 2008 to 2014 and from 2021 to 2023. He is currently Vice President of the University of Pisa\u2019s Museum System. Since 2007, he has been the Scientific Director of the Museo della Grafica at Palazzo Lanfranchi (Municipality of Pisa, University of Pisa), which houses the collections of the Cabinet of Drawings and Prints of the University of Pisa.  <\/p>\n<p>&nbsp;<\/p>\n<\/div><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_7 et_pb_row et_flex_row\">\n<div class=\"et_pb_column_13 et_pb_column et_flex_column et_pb_css_mix_blend_mode_passthrough et_flex_column_12_24 et_flex_column_12_24_tablet et_flex_column_24_24_phone\">\n<div class=\"et_pb_team_member_2 et_pb_team_member et_pb_bg_layout_light et_pb_module et_flex_module preset--module--divi-team-member--default\"><div class=\"et_pb_team_member_image et-waypoint et_pb_animation_off\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/habitusfidei.art\/wp-content\/uploads\/2026\/04\/27-diego-fiorini-cropped-70.jpg\" alt=\"Diego Fiorini\" width=\"498\" height=\"315\" class=\"wp-image-2528\" title=\"27-diego-fiorini-cropped-70\" \/><\/div><div class=\"et_pb_team_member_description\"><h4 class=\"et_pb_module_header\">Diego Fiorini<\/h4><p class=\"et_pb_member_position\">President of the Pisa Theatre Foundation<\/p><div class=\"et_pb_team_member_description_content\"><p class=\"p1\">Diego Fiorini organizes exhibitions and events related to costume and contemporary art for major occasions such as the Venice Biennale, the Venice Film Festival, and in prestigious venues including the Baptistery in Pisa\u2019s Piazza dei Miracoli, the Basilica of San Francesco in Assisi, the Cathedral of the Principality of Monaco, the Costume Gallery of Palazzo Pitti, and the Royal Palace of Milan.<br \/>He has worked on art catalogues\u2014overseeing the photographic campaigns and layout\u2014for renowned publishers such as FMR, Motta, and Pacini, collaborating with distinguished masters of photography including Aurelio Amendola and Mario Mulas.<span><\/span><\/p>\n<\/div><\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_column_14 et_pb_column et-last-child et_flex_column et_pb_column_empty et_pb_css_mix_blend_mode_passthrough et_flex_column_12_24 et_flex_column_12_24_tablet et_flex_column_24_24_phone\"><\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2447","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Francis and the perfect robe - The exhibition - Habitus Fidei<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/habitusfidei.art\/en\/san-francesco-the-exhibition\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Francis and the perfect robe - The exhibition - Habitus Fidei\" \/>\n<meta property=\"og:url\" content=\"https:\/\/habitusfidei.art\/en\/san-francesco-the-exhibition\/\" \/>\n<meta property=\"og:site_name\" content=\"Habitus Fidei\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/UNESCOChairUSI\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-22T14:57:26+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@UNESCO_USI\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/habitusfidei.art\\\/en\\\/san-francesco-the-exhibition\\\/\",\"url\":\"https:\\\/\\\/habitusfidei.art\\\/en\\\/san-francesco-the-exhibition\\\/\",\"name\":\"Francis and the perfect robe - The exhibition - Habitus Fidei\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/habitusfidei.art\\\/#website\"},\"datePublished\":\"2026-04-08T15:18:33+00:00\",\"dateModified\":\"2026-05-22T14:57:26+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/habitusfidei.art\\\/en\\\/san-francesco-the-exhibition\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/habitusfidei.art\\\/en\\\/san-francesco-the-exhibition\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/habitusfidei.art\\\/en\\\/san-francesco-the-exhibition\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/habitusfidei.art\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Francis and the perfect robe &#8211; 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